Excerpt
Micol’s blood ran cold. He closed his eyes, concentrating on taking deep breaths. Please don’t let them see us, he prayed to Loss. Please, let them pass by. It’s not supposed to end like this. Please.
Another man stepped into view. Then a third. Their conversation continued, but Micol couldn’t focus on the words. He was too busy listening to the growing sounds of movement around them. The pounding boots and squelching mud hinted at a larger force than the three men who had already passed, although he could only guess at how much larger.
At least a half dozen more came into view, most of them near Asoka’s hiding place. The three who’d led the way were nearly out of sight; Micol could barely see their torches through the thick trees. To his left, a glint of light caught his eyes. When he followed it to its source, he nearly collapsed.
Silvery-blue armor covered the woman from head to toe, flowing around her like water. Every inch of skin was covered, leaving only a pair of thin slits for her eyes. She was close enough to Micol to touch. His entire body began to shake, demanding action.
He couldn’t be still anymore. His every fiber screamed one word: escape. He had to get out, but there was nowhere to go. The beating of his heart raged thunderous in his ears until it felt like the sound alone would betray him. Cold sweat beaded on his fevered skin. The aspect’s head swung in his direction.
Micol tried to bolt from the tree – away from the aspect – but she reacted faster than he would have thought possible. Her hand snapped out, stopping his momentum and taking the pair of them to the ground. He managed to twist in time to see her liberating a rusted dagger from its sheath.
From out of sight, he heard the groan of a bowstring. The aspect’s dagger plunged toward his chest, but before it could strike the tip of an arrow spiked through one of the slits in her helm. Its force pushed her off him, and Micol took his chance. He was on his feet in an instant, running away from the group of soldiers.
He met Asoka’s wide-eyed stare; the other boy still held his bow in a ready position. Time stood still for a solitary moment before Micol broke the contact.
Bodies thudded; wood cracked from out of Micol’s view. “Got him!” he heard someone say. “He doesn’t look like an assassin to me.”
Micol kept running. He heard the footsteps of several men behind him, but he didn’t dare stop to check their progress.
“Get the other one!” someone else shouted.
“Over there! He’s headed toward the undergrowth!”
Micol fell into a row of dense bushes, forcing himself through. Branches and thorns tore at his skin and clothes, but he paid them little mind. The men chasing him reached the bushes a moment after he broke through the other side.
His days on the streets of Vicrum came back to him, lessons born from a thousand beatings doled out by those older and larger.There was always someone faster, someone stronger. But Micol had had one advantage: he was willing to go further. A path ahead promised easy escape, but instead of heading for it he plunged deeper into the undergrowth.
A thick root tripped Micol, sending him toppling head-over-heels down a stream bed. He hissed as a flare of pain shot up from his ankle; he inched toward the running water, but a sound came a moment later that stopped him cold.
“Micol!” a distant voice cried. Asoka’s voice. “Help! Please help me!” The pitiful cry was like an icy knife plunged into his lungs.
He didn’t make it out, Micol thought. I didn’t even stop to think about helping him escape. He rose to his knees, taking stock of the situation. He’d lost his bow when the aspect had taken him, which left the small hunting knife on his belt as his only weapon.
“Help! Oh, aspects, please!”
Micol knew what he was supposed to do. The stories soldiers shared were full of such scenarios; if he had been the hero in one of those stories, he would have drawn his knife and carved a path of blood back to his friend to save him. The men searching for him were getting close, and he knew he had to make his decision soon.
A sound like an axe hitting a tree echoed through the forest, sending a morbid shiver down Micol’s spine. He summoned all of his courage, but it wasn’t enough. He turned back to the stream and jumped in, letting the water carry him away.
Tuesday, July 11, 2023
5 Reasons Why You NEED to be an Avid Reader To Be a Good Writer with Quinn Thomas
1. You need to know about the trends in your genre:
Let’s be real: we’d all love to write the next timeless masterpiece, but the odds of that are slim. Most of us will not be inventing anew genre, particularly when we first start writing. And since we will not be inventing a new genre, we need to be familiar with the rules and tropes associated with the particular sub-genre of which our novels will be just one among many.
I have a short story for you. When I was first starting out many years ago, I wasn’t much of a reader. I saw the skills of reading and writing as more or less separate (naïve, I know), and as such I saw no problem in writing whatever genre or sub-genre struck my fancy. This led me to write a mystery novel with a fantasy element that was explained at about the 75% mark. I can practically feel the mystery readers groan at this – see, one of the rules of a good mystery (which I discovered later) is that the reader should be able to solve it on their own if they pay close enough attention. But I didn’t know that at the time. And I was rightly criticized for breaking this rule.
‘But who makes the rules?’ You might ask. Well, that’s easy enough; they were established by the body of work that came before. So, if you never read books in the genre that you’re writing, you’ll have no idea how the rules have changed in the last few days/months/years. As such, you run the risk of losing a whole lot of readers because your book ignores the current conventions of the genre. Trend-bucking can be thrilling, but it should be a deliberate decision, not accidental.
2. Your inner reader is your speed-dial critic/editor
Was the last sentence I wrote any good? Does this chapter help move the plot along in a meaningful way? Is that line of dialogue hack?
When you’re in the wilderness of your own story, it can be difficult to drop everything and consult others for feedback. Not to mention the demotivational effects of doing so. As we read, our inner reader develops stronger opinions about what it likes and dislikes, and this holds true when we’re re-reading our own works as well. If you have a well-trained inner reader, you can consult themfor instant feedback on anything from dialogue to story beats. Now, I’m not saying that you should lose your beta readers’ emails, but having a practiced inner reader can cut down on the number of drafts before you get to a publishable product, and improve the final result.
3. Your inner reader is your idea machine
Writing is dialectic in nature. Every single book you’ve ever read can be described as ‘x meets y,’ and the reason is that humans kind of suck at generating something from nothing. Don’t believe me? Do it now. Try to think of a completely original thought.
I bet you can’t. Ancient Romans thought they couldn’t. Even Tolkien, the father of fantasy, explained his goal as creating a mythology for England. Mythology + England. X meets y.
Where this ties into being an avid reader is that the more you read, the more ideas you have to draw from. The more x’s and y’s. I’m convinced that a good portion of those who experience writer’s block are suffering from this exact malady – they haven’t built a deep enough well of ideas to pull from, so the first bump in the road of their story leaves them without any clue on how to proceed. Like solving an algebra equation without enough variables.
4. Develop a sense of what works
In your well of ideas, there will be good ideas and bad ones. It can be hard to distinguish between the two when you’re in the midst of writing, but as a reader you likely have no problem remembering what you liked or didn’t like about a particular concept. If you use a concept in your writing that you’ve seen in another book, you’ll know exactly how to change it in order to satisfy your inner reader. Perhaps you can even merge a concept that didn’t quite work for you with something else in order to create a new-ish idea (dialectics, remember).
5. You need to know what’s fresh
If I were to pitch you ‘Ocean’s 11 in a fantasy setting’ what would your response be? Well, I’d guess that you would tell me it’s already been done. At least three times off the top of my head: Mistborn, Six of Crows, and Lies of Locke Lamora. All of them great books. All of them memorable. And all of them, great arguments for stretching a bit further. It’s no longer a sufficient pitch to place a heist in a fantasy setting, because when a reader looks at the blurb they just think of all of the other novels that already did that so well.
I mentioned stretching a bit further, and that’s probably the best way to set your book apart. Instead of ‘fantasy heist,’ what fresh new idea can we bring to it? Could we flip it on its head and focus on the characters who are the subjects of the heist? Perhaps someone trying to prevent it?
The exact route you go here doesn’t matter. What does matter is that – if you’re an avid reader – you will have enough experience to know when an idea has been explored and needs evolution. I could get into more detail on how to go about that, but I think I’ll leave it for a subsequent post.
Mortal Aspects
Book One
Quinn Thomas
Genre: Epic Fantasy
Publisher: Ebbing Neptune Publishing
Date of Publication: July 18, 2023
ISBN: 979-8390605110
ASIN: B0BRWW31XH
Number of pages: 419
Word Count: ~125k
Tagline: The power of the dead gods is held by mere mortals. When the Aspect of Death, thought to be the last neutral force in the world, joins the struggle, he promises to bring an end to their wars by any means necessary.
Book Description:
The battle for power is fierce in a world where mortals wield the strength of dead gods in this first book of a high-stakes epic fantasy series from Quinn Thomas.
A thousand years ago, the immortals were slain, their power passed down to a chosen few known as aspects. The competition between noble families for control of these aspects has plunged the land into a never-ending cycle of war and bloodshed.
The Tevulun family has been driven to the brink of extinction by the most recent war. When Tarana Tevulun, who possesses the abilities of Calamity, learns of her family's intention to murder her, she flees with the assistance of a band of mercenaries. The Tevulun’s enemy, the Ma’isans, take advantage of her absence to advance and besiege the capital city of Vicrum. Tarana returns to fight for the city, but faces a difficult challenge due to the involvement of the mortal aspect of Death – thought to be the sole remaining neutral aspect.
Meanwhile, a young soldier named Micol deserts the army after his first taste of battle. When he ends up in the besieged city of Vicrum, he finds himself embroiled with a group of outlaws. Thrust into a world of thieves and rebels, he must confront his deepest fears and make a decision that will change his life forever.
Death's Reckoning is a page-turning epic fantasy for fans of ensemble casts and character-driven plot twists, with echoes of Steven Erikson's Malazan series. Join these mortals as they wield god-like power in a world where even the noblest intentions can lead to destruction.
Quinn Thomas is an Epic Fantasy author and occasional pool shark from Denver, Colorado. When she’s not writing stories about people thrust into situations that turn them into heroes (or more frequently, villains), she’s wrestling her 100-lb labrador retriever. Her favorite fantasy series is Mistborn by Brandon Sanderson.
Things Quinn has tried exactly once and wants to mention because she thinks they make her seem cool: skydiving, surfing, paddle-boarding, yoga.
Things Quinn has tried several times and wants to mention because they make her seem less cool: eating Cheetos on the couch while wearing yoga pants, tripping on her own feet, singing karaoke songs completely sober.
Website: https://quinn-thomas.com/
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